ET, making the premiere of Episode 5 less than a week away. New episodes of Season 2 are currently airing on HBO on Sundays at 9 p.m. Oh, and the first minute or so of this happens while he's standing in the middle of. The episode culminates in a 7-minute long monologue from Cal, who arrives home, pisses all over the floor, and starts calling out his wife Marsha, and his two sons Aaron and Nate. Luckily for Euphoria fans, they won’t have to wait much longer to find out. Eric Dane delivers 'Emmy-worthy' performance in Euphoria season 2. And it’s much easier to rip a family portrait off the wall and triumphantly stride into the night than it is to wake up the next day and deal with the consequences of a drunken revelation. That being said, there are still three Jacobs children to contend with. Eric Dane himself said that she was “blindsided and clobbered” by Cal’s explosive speech. Now that he’s quite literally bared it all, it would be difficult to imagine any scenario where Marsha doesn’t end the relationship. About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features. Although, to be fair, it’s not the first time a prosthetic member has been used on Euphoria - it’s not even the first time Eric Dane has made use of such a device, nor is the only extreme example of the show’s graphic nudity.īut where does Cal go from here? It’s hard to say. Prosthetic penis notwithstanding, that’s some major commitment from Eric Dane. Imagine delivering such an involved monologue not once, not twice, but fifteen times. I don’t know if I would last 15, 16 takes if it were real. Intercut with the therapy session are shots of Jules lying on the beach as waves crash over her body, or her moving across the water under dim moonlight.Oh yeah. In this context, Levinson and the creators of “ Euphoria” use shots of the ocean to portray the expansive emotions Jules is experiencing - which is the most intriguing aspect of the episode’s fantasy element.

Now that they’ve both grown, they are no longer the unknown to each other, but rather something else entirely. She’s basically the most wonderful fucng person on the planet. “She sees me,” she says simply.Ĭontinuing the theme of femininity, love is described as complex when it is tangled up in “firsts.” Rue was the first girl Jules kissed or even had a romantic relationship with, and she was also the first person to push her to grow. I just hope it didn’t teach you the wrong lesson. Suddenly, you find your whole days blending together to create one endless and suffocating loop.

The other thing about depression is it kind of collapses time. RUE: One, two, three, four, five, six, seven. Then they search for where you fit into their hierarchy and treat you accordingly,” Jules explains, then goes on to say that Rue was not like most girls. Rues monologue about depression: Euphoria. over and over by the cruel cervix of my mother, Leslie.

Then one day, for reasons beyond my control, I was repeatedly crushed. Sloshing around in my own private, primordial pool. As an addict sober for nearly 10-years, I can say that the words written by Sam Levinson and spoken so eloquently by Colman Domingo (as Ali, Rues sponsor) during his many monologues, are real talk. This article is a transcript of the first episode of the first season of Euphoria, 'Pilot'. “Most girls when you first talk to them, they automatically analyze and compare themselves to you. Euphoria: Trouble Dont Last Always - Part 1: Rue script, teleplay, etc. But as teenagers, their first love is so powerful that it is difficult to let go. Similarly, Jules acknowledges the pressure to be the anchor for Rue’s sobriety. In the first specially released episode, Ali points out to Rue that having a relationship isn’t always best for the individual, especially when they are struggling to discover their strength without it coming from someone else. Rue and Jules’ relationship is put into perspective. Defining femininity creatively is a strong theme throughout the episode, using the metaphor of metamorphosis to declare that gender is ever-changing, and so are relationships. Jules elaborates, expressing that all her life, she’s been trying to “conquer femininity,” but she fears that the opposite has happened: “Femininity conquered me.” She talks of wanting to go off her hormones, motioning to the implant in her arm that stops the kinds of things “men don’t find desirable,” like her voice dropping or her genitals growing bigger.

Euphoria monologue